I remember coming upp with the riff for this song, just noodling around on one of our two Juno 106s in our studio (a.k.a Jonas’ brother’s bedroom). It was one of those moments where you know that one little idea will last for a whole song.
The title was probably set when saving the sequence in the computer, long before any lyrics were written. I have a vague notion it was inspired by the Twice A Man album (and live show) Driftwood, that at least I was very into at the moment.
Besides this there are the usual suspects: Roland Alpha Juno 1 on bass, Roland R8 on drums, and the Roland S-330 playing some noise probably sampled from TV. Altogether a minimalistic yet powerful soundscape. The overall feeling is very gloomy, including Måns’ vocals and lyrics (“The sky is so grey” etc). A bit like the February weather here in Stockholm at the moment actually!
My favourite part of this song is the bell “solo” towards the end. I think it was played live and improvised by Måns. It’s a nice mix of being almost sequenced, but with some variations that stick out. Is there an arpeggiator with some randomness? Would be great.
This songs starts off with what I think is two Roland Juno 106s, one playing a little arpeggio and the other a fat drone bass. I remember that the bass patch was A33, the same we used on Building and possibly other tracks as well. We had a note taped to the synth’s front panel called “Det Holy Sounds” with a list of patches that were never to be overwritten, and A33 was the holiest of them all. Besides the 106s I think there is an Roland R8 drum machine (playing what might be the crappiest drum fill EVER as the verse starts), and the Alpha Juno 1 playing the blobby bass.
Although the second track on the cassette, I think this was one of the later songs written. My memory is shaky here, but I think this was written by Måns on piano first, when we were all suffering from some form of writer’s block, and only later dressed in electronic sounds. At least it sounds that way; there is no element in it I remember as the starting point besides the chord sequence and melody.
The chord sequence in the verse is actually one of the few highlights of the song when I listen to it now. It starts off pretty basic, but the last chord in every second turnaround breaks away from the norm. With the arpeggio synth maintaining it’s notes there is a nice effect. Another highlight is that we actually have some harmony vocals! Even though (or maybe because of) Måns, Olle and Jonas, singing a lot in boy choirs we rarely used this.
Otherwise I think this is a typical example of us forcing our song ideas into low tempos and heavy sounds. If we were to produce it today I think we would be better at recognizing it as the pop sense in the chords, and creating more contrast between verse and chorus. And raising the tempo a few bpms ;)